Founded 120 years ago by Eugene Hallette, the Caudry-based lace mill fell into the hands of Eugene's wife when he suddenly died in 1898. At the time it was called 'Etablissements Veuve Eugene Hallette ('Widow Eugene Hallette's Company').
Under her management, the mill thrived and was passed onto Ettienne Hallette, who expanded the company and opened its Paris office in 1967. He renamed the brand 'Sophie' after his neice.
Over the past century, generations of craftspeople have worked Sophie Hallette's looms, weaving delicate lace and tulle from several thousand miles of thread, 5,000 shuttles and 12 tons of cast iron. Commissioned by fashion houses such as Chanel, Dior and Alexander McQueen, Sophie Hallette lace has come to represent the pinacle of lace manufacturing.
Sophie Hallette is now managed by the third generation of Hallette owners. Combining its rich tradition and expertise with modern methods of production, the lace house holds true to its artistic craftsmanship, with post-production quality checks taking up to 15 hours of meticulous examination a single peice of lace.
After nearly 30 years of using the mill's lace in her designs, Julie Tengdahl began working with Sophie Hallette designers in 2013 to sketch a lace that would suit the Australian climate and provide the flexibility and wearability Australian women desire in their clothes.
The lace was then hand loomed in Sophie Hallette's antique Caudry mill and arrived in Australia, exclusive to Tengdahl, in March 2014. The lace appears in Julie's current A/W14 collection, in the form of the Sophie dress (pictured above and below).
Own a little peice of Sophie Hallette history here.
Pia du Pradal, Dale Olsson and Julie Tengdahl (far right) wearing the Sophie Hallette Dress at the Uncovering The Brisbane Look launch. Photo: Warren Jopson